You’re clearly passionate about your work. What inspired you to follow this path, and what keeps you going?

As an ecologist, I see a vast gap between the alarming rate of biodiversity collapse and the current efforts of the building sector to address this crisis. This gap is immense, and the road ahead is long. Scientists have been warning governments since the 1970s—starting with the Limits to Growth report by Meadows et al. 1972[2]—yet we are still not acting fast enough.

I wonder if art can help bridge this gap. Can we speak to people’s hearts instead of just their intellect? Can art transform the way we perceive biodiversity?

Ecology is often seen as a technical or economic constraint rather than an opportunity for a better life—with cleaner air, water, and healthier ecosystems. However, human life is deeply dependent on biodiversity for food, health, water, and overall well-being. We have forgotten to appreciate the beauty of species—their vivid colors, their adaptations to humidity, heat, and light variations. We have lost our sense of wonder at life’s diversity.

What drew you to Southeast Asia, and specifically Thailand, for your work?

Thailand is a biodiversity hotspot, meaning it hosts an exceptional variety of species, including many endemic ones. This region is crucial for global conservation efforts.

 My first visit to Thailand was in 2022 to participate in a scientific expedition in Nan with Serge Morand from Mahidol University. Then I came back with Nicolas Lainé (MNHN Paloc), Julien Claude (IRD), etc.

Thailand is globally recognized for its stunning biodiversity, particularly on its islands. Initially, I expected to see wildlife close to Bangkok. However, I soon realized that spotting rich endemic biodiversity often requires traveling long distances—sometimes 12 hours by van to Nan or Phuket. Like many Europeans, I initially had a romanticized vision of Southeast Asian biodiversity.