Have you always been a Pokémon fan? What is it about the franchise that particularly appeals to you? And how about anime and animation in general—are there any titles that have influenced or inspired your artistic approach?

I grew up in the 1990s, so Pokémon was a huge part of my childhood. I collected the cards, played the Game Boy games, and followed the series closely. It wasn’t just Pokémon—Naruto, Fullmetal Alchemist, and Dragon Ball were also big influences.

What fascinates me about Pokémon is its world-building and the way it draws inspiration from real animals and myths to create a unique ecosystem. There’s a strong connection between Pokémon and nature, which is why I find it so relevant to discuss biodiversity through this lens.

As for animation in general, Studio Ghibli’s work has also been a major influence, especially films like Princess Mononoke, which directly address the balance between humans and nature.

Your work clearly reflects a deep passion for nature and the living world. How do you hope this series will inspire audiences to appreciate biodiversity, especially through the lens of a fictional universe like Pokémon?

By presenting this series at the Bangkok Illustration Fair 2024 and later at Night at the Museum at Chulalongkorn University, I noticed that many people were drawn to the artworks simply because they love Pokémon. That initial interest serves as a great entry point to introduce discussions on biodiversity and conservation.

It’s a fun and accessible way to talk about ecology—especially with younger audiences who might not usually engage with these topics. Beyond raising awareness, I also wanted this project to contribute directly to conservation efforts. That’s why 50% of the proceeds from the prints were donated to Thai NGOs, such as the Bird Conservation Society or the living plant museum, to support wildlife protection initiatives. I believe art has the power not just to educate but also to actively support conservation.